New Moon quick sketches.

Robert Pattinson from "Twilight's New Moon".

Aweful movie . . . I went to see it with my wife. The only thing good about this movie was the sound tract, some great songs by some great bands. There were a couple scenes in the film that were fun, some cool imagery, but over all, the movie gets a "BIG YUCK" from me.



Taylor Lautner, this kid is on steroids . . .

I'm looking forward to seeing "The Wolfman" with Benicio Deltoro, now that will be a cool film . . .

Society of Illustrators 52 Annual!

I found out today that two of my paintings made it into the Society of Illustrators 52 Annual show! Frank McCourt and The White Stripes!

In Other News . . .

I'm currently working on an odd illustration for a magazine which I may or may not show?

I'm also painting a cover for Exaggerated Features, the ISCA magazine, where I am brutalizing Glenn Ferguson and Jo Anne, all in love of course . . . hee heee heeee!

I'm working on a step by step demo for a book about digital paintings and artists, and much more.

There will be a book coming out soon on "America's top water media" artists that I somehow was lucky enough to be a part of . . . funny thing is some of the work they want to share in the book was done digitally. They didn't seem to care? I'll post more on that when I have more to share!

Ed Steckley . . . sketch

Took little over an hour to do this photoshop sketch of friend and artist Ed Steckley. Ed's work is awesome, if you don't know him, check him out here.



Detail. I used a round brush and tried to keep it as loose as I could. To do that, I painted most of it zoomed out and away from the image. If you paint in too close, you can easily get distracted by all the details. This was a study, or warm up for me, for these, I try to experiment a bit.

Drunk on Power!

This is a painting I did over a year ago now, for The Weekly Standard. The story that I originally painted it for was held back, or cut, lost, kidnapped, sold to The New York Times (not), or perhaps it just couldn't live up to the scary and realistic portrayal of Pelosi and Reid (yeah right)?. . . . so a year and a month or so has passed since I burped this one out . . . and it can finally find rest within the pages of the latest issue of The Weekly Standard. I can only assume the article is about Pelosi and Reid, that or steroids being used in the work place? What a couple!

Like usual, this painting was done in two days or less.

Illustration Now! 3 - TASCHEN

I'm in the latest ILLUSTRATION NOW! 3 put out by TASCHEN. If interested in ordering, click here.
There are many great illustrations and artists, a great book for inspiration!





My pages . . . .



I nice size book!

Roger Hurtado Oil

One of the biggest things that frustrates me about painting traditionally, especially with oils, is that I can't seem to ever get an accurate scan or picture . . . the original always looks much better. I just scanned this oil in of Roger Hurtado and tried messing with the levels a bit to get it close, but it's just not quite right? The original has a nice wet "oil" look to it, rich texture and color. Anyways, I suppose there's not much I can do about it right now . . . . . ?

This is a small 8"x10" oil of artist Roger Hurtado, painted last week at the ISCA convention in Ohio. I was going for a look with this portrait that would hopefully make viewers look twice. I wanted the exaggeration to be subtle, almost as if the subject really does look just like this. Hopefully it has that effect?

Jert Palette Knife Extravaganza!

This is a painting I did last week at the ISCA convention of my pal Jert. Jert is one of the coolest guys I've met. I love this guy, super funny, great artist, good taste in music, and just an all in all good guy! He did a great drawing of me last year, one of the best likenesses of me and by far the funniest! So this year I wanted to do a painting of him . . . it was a bit challenging, because Jert has been drawn by everyone, so it was hard to come up with something new. So I decided to do something I've always wanted to try and that was painting with a palette knife. I blocked the painting in with brushes and then finished it off with a palette knife. It was a fun experiment, and I'd definitely like to experiment with that technique a lot more . . . develop it a bit more.

Thank you for the usage of your face Miguel Aguilar!

My watercolor painting of Miguel Aguilar won for "Master Caricature of the Year!" Thanks for the usage of your face Miguel! I'll ship the original to you soon! Miguel is not only a wonderful model, but also a nice guy who knows a lot about "The Doors" and he does some cool art as well!

Watercolor on 300 lb hot press.





My wall this year. I would have liked to have finished a few more paintings and drawings, but this year I spent a lot of my time talking with other artists, looking at their work as well as doing a seminar and selling my book and DVD. It was a great convention!

I'm back from ISCA!

I just got back from ISCA's (International Society of Caricature Artists) 18th annual competition. It was a great week of drawing, painting and hanging out with artists from all over the world. I was honored this year with the "Master Caricature of the Year" award!

I'll share more soon!

30 minute warm up sketch!

A quick warm up exercise I did this morning before working on commissioned paintings.

Almost finished . . .

Man, I wish I could just work on this painting and finish it already. But, because i'm in the middle of so many different projects I can only work on it a few hours a week. I'm really enjoying the process, I love painting traditionally, there's nothing like it!

Moleskine sketches #6

Some more quick sketches from my moleskine sketchbook . . . The man reading the paper was a two minute sketch I did at the airport while I waited to board my plane. I would have spent more time and that was my intention, but he got up and got on his plane. I stayed and sketched on it a bit more on it before I realized he was on my flight . . . and I almost missed my flight! Funny thing, he was sitting right in front of me to my right and I was going to sketch him on the flight from a different angle, but the flight was so bumpy. It was the worst flight I've ever been on, extreme turbulence . . . no fun!



A memory sketch of a guy I saw on the street.

Moleskine sketches #3, 4, & 5

A lot of random sketches, mostly from life while on the subway (red line or 'L' train), sitting in a cafe, or where ever I may be? I try to take my sketchbook everywhere and sketch whenever and whatever I can. I have several sketchbooks, some are for planning and prepping for final work. This sketchbook is "just for fun". With this sketchbook, the point is to relax, have fun, and draw whatever I want. I sketch with blue pencils, pen and ink, ball point pens, prisma color pens, pencil, acrylic paint . . . whatever I like. It's a place to mess around and just have fun. A place for me to play!



Quick animal sketches, some from reference, others made up. Fun and good practice.




These sketches are all from life with the exception of Riley, my brother and sister in-law's dog . . .

This is what I'm painting right now, at 11:08 in the P.M.

20 minute digital sketches . . . .

These are two really quick 20 minute digital sketches of very talented artist,
Damion Dunn.
I've decided to go with the top sketch and take it a bit further. Thanks for your input, it's been fun!

I'm crazy busy right now with a ton of work and haven't had as much time for sketching and drawing for myself. It was nice to do these this morning . . . a nice warm up.

Brian oil work in progress . . . #3

Getting close to finishing this one up. I've still got some rendering to do, softening edges and all that fun stuff . . . but it is coming along.

I feel I need to mention that the colors in these pictures are not 100% accurate, when the painting is finished, I'll take high quality pics of it.

Bloomie lll - Cover for the Village Voice!

This is "this" weeks Village Voice cover. I did the sketch Friday afternoon, blocked in the painting Sunday afternoon and then completed it on Monday. This was a fun job to work on. The art director for the V.V. was great to work with, and that always makes my job much more enjoyable.





There were some challenges with this job. The main challenge was maintaining a strong likeness while completely changing Mayor Bloomberg's appearance. The Village Voice wanted me to paint Bloomberg as "Clubber" from Rocky Three. A funny idea, but tricky to pull off. They wanted me to "beef" him up and give him Mr. T.'s Mohawk and beard. I was concerned that it would be hard enough to tell it was Bloomberg with the muscles and Mohawk, so I did two versions. One with the beard and one without. This way they could choose the image that would work best for their needs. I'm happy I was able to pull the likeness through the beard, muscles and Mohawk! Would be fun to see Bloomberg's reaction when he sees it!




This is obviously the beardless version.


On the stands in New York



Thank you Dan Springerfor taking this picture!

Interview and Step by Step for 3D Total.

My INTERVIEW with 3D Total.






Step by Step of my Aretha Franklin painting, with 3D Total.

Kim Jong Chill

This is a recent painting that I painted for my new book
"Seiler 2008-2009".It's sad how North Korean's don't have all that much yet they're "self proclaimed" god has anything and everything he desires. I figured he probably has his own McDonalds inside his palace somewhere? But they only serve Happy Meals, he likes the toys.

CURRENTLY IN THE MIX!

1. I'm working on a cover for The Village Voice . . . any New Yorkers out there, drop me a line, I'd love to get a picture of it on the stands!

2. Working on some Character design for Aardman Animation.

3. Working on an Oil painting for an upcoming show as well as a few acrylics.

Sketching with Jason Seiler DVD Review!

Click here to watch a sneak peak of the DVD and or to purchase the DVD or books.

My art on the streets of New York!

When I was in New York last week, I discovered that I have finally made it to the big time, my work was all over Times Square. Now if I could only get it into the MET?

These street artists were using the art of Kruger, Jan Op De Beeck, Ismael Roldan, Wouter Tulp, Chris Rommel, Tom Richmond and many others including myself to attract clients. It was funny, because these street artists can't draw at all. I tried to talk with them, but all they said to me was "Five dollar, I draw you for five dollar". I asked to talk with his pimp, but he didn't reply.






I went up to this guy and asked him if he painted that Nelly. I said "Wow, this is cool, did you paint this?" He said "Yes, I paint this." I then said "Really, wow, you're really good, what did you use to paint this". He replied, "Yes, I paint this." So I then confronted him and told him that is my painting, that I used acrylics to paint it, and that it was one of my first acrylic paintings. He soon realized that I was serious and then just like that, I no longer existed. He ignored me, it was as if I wasn't even there. Quite interesting. Another guy came over to me and said that he painted it by looking at my painting, that it was a "study" of my painting? I just smiled at him and said . . . "I tell you what, how about I pay you $5, and you let me draw you?" He didn't like that idea. Would have been fun.


THIS IS A FINAL ASSIGNMENT FROM A RECENT STUDENT OF MINE AT SCHOOLISM!


At the end of each semester, my students have to complete a "portfolio piece". A "caricature illustration" so-to-speak. This was Rich Lauzon's final submission! A BIG CONGRATS to Rich! He worked very hard, and I feel he put together a great piece! I critiqued it for him and gave him some suggestions which he said he'll work on. Perhaps when he finishes it, I'll post his final here for all to see?

My next semester for "The Art of Caricature" at Schoolism.comstarts this Friday on the 9Th of October, there are still a couple slots open!

Here's what Rich had to say about the course!

"This last assignment was extremely challenging. I fully appreciated how every lesson was pulled together in this final project. I particularly was impressed with the creative freedom that could be found within the project. I plan to use these techniques in future projects.

I have learned a lot from your course. How to paint, better composition, and, a very straight forward and streamlined process that allows me to create work more efficiently in this deadline oriented field. But probably the thing that clicked for me the most was how to “see” where to caricature. That it’s okay to make things smaller to make something else that has regular proportions look bigger. The skull lesson was also eye opening. That one really shows you what to distort and what to shade what to cross hatch as far as surface planes are concerned. That could be a how to book or DVD all by itself.

It is clear that you are very passionate in your craft. You strike me as a “teachable” for life and I am very humbled by your generous nature in sharing your secrets of your success."